Another nice thing Ableton has done here is to take into consideration how micro edits can often cause clicks and pops when being comped together. This is so cool and very useful for tons of sound design applications. You can also manually create take lanes and place whatever content you want on them and inter cut to your hearts delight. This allows you to select any segment from each take by simply highlighting it and then, by pressing enter, places it on the main clip track. Now when in loop record, instead of creating one long file of all the takes, Ableton now automatically places each take on its own “ take lane”. Track comping is the time-honored process of picking the best parts from multiple takes and stitching them together to create the best possible performance in a composite track. This feature alone is quite significant as Ableton Live is now neck and neck with other traditional DAW’s that have had this capability for what feels like eons now. More than likely, your answers will be found by watching the much-more-in-depth video here.Coming in at a very close second is the new comping capabilities. There you have it! If you have any further questions, please comment or shoot me an email. Make the physical connections using audio cabling to send the new click track to the FOH engineer. *Link to diagram for physical signal connections with an Ableton setup here Do this by pressing CMD+C (copy) on the first click track, then clicking in the next open track and pressing CMD+V (paste)ġ1. You can copy the click tracks down as many times as need, therefore saving you from having to draw them in every time. Type in your new tempo and press enterġ0. On track one on the ‘Master Channel’, ‘two finger click’ (Mac) and scroll down to ‘Edit Launch Tempo’. Rename the new click track by pressing CMD+R (Mac) and naming the songĩ. Draw in your notes on the row labeled ‘Wood Block High’ on the quarter note spacing (remember to use the time ruler if needed)Ĩ. At the bottom, ‘two-finger click’ (Mac) and click ‘Draw Mode’ħ. Double click on ‘Percussion 1’ and hit CMD+R (Mac) to rename this ‘Click’Ħ. Double click on the first open track beneath ‘Percussion 1’ to create our first click trackĥ. Go to ‘Instruments’ > ‘Impulse’ > ‘Percussion 1’ and double click ‘Percussion 1’ to load this sound bankĤ. Make sure the Ableton ‘master click’ is turned off (click the yellow shaded area)ģ. We need to create our own click tracks and have them all at different tempos. Not every song we play is 120BPM, so we need a work-around. The problem with this click track is that it’s the ‘Master Click.’ This means that every track you play will be locked to this tempo. It will always open at 120BPM and the yellow shading indicates that it’s armed and ready. When you first open Ableton Live, you will notice that there is already a click track ready to go. While I will not get into pages of details here on setting up a click track within Ableton, you can always click over to the video tutorial here for a detailed breakdown. It’s important to note that while both Ableton and Pro Tools are DAWs, they are used for totally different purposes. I use Ableton during live shows and worship sets but I always do my post-production mixing in Pro Tools. Ableton Live is Digital Audio Workstation (DAW) that is most often used in the live setting.
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